Salvage Premise and Synopsis

As a beginning writer, I’ve struggled with describing my story ideas.  After research, thought, and effort around the definitions of idea, concept, premise, synopsis, and theme in writing, I discovered a solid concept, premise, and synopsis can help me craft the story more robustly.

I came up with the following premise and synopsis for Salvage:
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From Jeff Goins’ article, “Trying to Be a Good Writer is a Complete Waste of Time“:

Don’t be good, be effective
Here’s the solution: Don’t be good. Be effective. Stop trying to be a good writer, and start trying to be effective.

Why? Because “good” is subjective. It’s meaningless. “Good” is an artifact from long ago when writers needed gatekeepers to determine the value of their work. In today’s creative landscape, the goal of writing is connection. Not lukewarm approval. “Effective,” on the other hand, defines a clear relationship between you and the reader. The goal is to be heard, to communicate a clear message to a particular audience.

Writing Status: Improving Plot Structure for Salvage, Ep. 1

So, sometimes a writer has to tighten her belt, er, plot.   Did I mention my unique talent for making a short story very, very long?  Turns out that’s something to rein in to create a great story.

After research, thought, and analysis, I’ve tightened up the plot for Salvage’s episode 1.

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Writing is a Business: I Have to Talk to Other People?

Come on, you know you know some introverts or shy folks.  Maybe you are even one yourself, like me.

The core of writing is a solitary pursuit, but most of us want financial return.  Part of treating writing as a business is networking with other writers.

How do you go about this?  What are some first steps?  What options will work for you?

Many options exist.  Here are a few:

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